Maya Man and Isabella Lalonde's “Twentynine Experience” was a unique event on September 6 in New York.
In just one night, the gallery transformed into a living magazine—with prints, plush dolls, and glitchy AI portraits that brought together zine culture, technology, and community. It was like an early 2000s fashion magazine, but more creative and full of technological experimentation.
During the day, the space became like a working studio.
Artists, photographers, stylists, students and creative minds attended. They tested AI prompts using a 2-in-1 laptop that remixed Maya and Isabella's looks in real time. A large LED screen continuously displayed AI artworks while at the entrance, plush dolls made from deadstock fabric were placed.
The vibe was collaborative and fun.
Maya and Isabella even gave prompt tips, which were very entertaining with the unique results—some looked like they came from outer space or dollhouse interiors. Many also went home with a copy of “twentynine” magazine. The event showed that art doesn’t have to be perfect with technology—it’s more colorful with a little mess and glitches.
In a conversation with an editor, the two artists clarified their goals.
For Maya, AI is not a shortcut but a way to deal with the biases and pressure of beauty standards. For Isabella, the AI's “beautiful mistakes” are what make the project stand out. Instead of avoiding glitches, they made them part of the art itself.
Ultimately, the message of “twentynine” is clear: connection and collaboration are more important than perfection.
Whereas early 2000s magazines sold “perfection,” “twentynine” pushed humor, critique, and shared creativity. It showed that the future of art and technology is more exciting when you’re not afraid to be messy and open to all possibilities.
